Piaget is returning to one of its most recognisable materials with Piaget Glow, a new capsule collection centred on three sculptural gold rings.
The collection features three designs created by the Maison’s Ateliers de l’Extraordinaire, each offering a distinct interpretation of gold through texture, finish and form. Instead of focusing solely on elaborate high jewellery creations, Piaget Glow adapts the Maison’s goldsmithing techniques into pieces designed for everyday wear.
Gold has long been central to Piaget’s identity. In 1957, the Maison deepened its commitment to the material by establishing its own foundry in Geneva, bringing together its watchmaking precision and jewellery craftsmanship. Since then, Piaget has continued to explore the possibilities of gold through different finishes, textures and techniques.
That history is reflected in the three rings in the Piaget Glow collection. The rose gold design features diamonds and the Maison’s Decor Palace engraving technique, which was introduced in 1961. Inspired by watchmaking guilloché, the technique creates a textured surface with an organic pattern.
The yellow gold ring takes a different direction with a scale-inspired texture, while the white gold design uses asymmetrical curves and diamond details to create a changing play of light across the surface.
The collection follows Piaget’s previous exploration of gold-focused jewellery, including the Extremely Piaget collection from 2016. It also sits alongside existing jewellery lines such as Possession, Piaget Rose and Piaget Sunlight, continuing the Maison’s focus on combining craftsmanship with wearable designs.
With Piaget Glow, the collection focuses on three materials, three textures and three ways of approaching gold as a form of personal expression.